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"SHAUN OF THE DEAD"

99 minutes | Rated: R
WIDE: Friday, September 24, 2004
Directed by Edgar Wright
Starring Simon Pegg, Nick Frost, Kate Ashfield, Dylan Moran, Lucy Davis, Bill Nighy
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This film received an Honorable Mention on the Best of 2004 list.
COUCH CRITIQUE
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SMALL SCREEN SHRINKAGE: 10%
WIDESCREEN: A MUST
Side-splitting even watching it by yourself at home. But Wright shot in 2.35:1 for a reason. If you rent the so-called "full screen" version, you'll be missing a lot.
VIDEO RELEASE: 12.21.2004
DVD SPOTLIGHT
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In addition to outtakes, trailers, etc., this DVD has one of the best features I've ever come across - clips of made-up explanations for every plot hole. Hilarious.
A commentary with writer-star Simon Pegg and writer-director Edgar Wright is a hoot - terrifically entertaining and funny, while full of groovy little tidbits about the filming and about Wright's choices as a director. They frequently point out such cult fan minutia as George Romero reference and other in-jokes, not to mention which extras will later become which zombies. But Americans may get a bit lost from time to time with all their references to English film and TV.
A second commentary with Pegg and the cast that isn't as entertaining or interesting (they're mostly cracking themselves up), but still worth a listen for the film's growing legions of devotees.
OTHER NOTABLE BONUS MATERIAL
Zomb-O-Meter trivia subtitles (a lot of them pointless and unrelated), 15 "extended bits," lots of deleted scenes (w/ commentary), poster designs, on-set video diary, featurette showing before and after F/X, makeup tests, and more.
SOUND & PICTURE
Good on both counts.
SPECS
RATIO: 2.35:1 (16x9 enhanced)
DUBS: Spanish, French
SUBS: English, Spanish, French
DVD RATING: ***
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OTHER REVIEWS/COMING SOON
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Slacker bungles rescue when the undead overrun London in hilarious zom-rom-com satire 'Shaun of the Dead'
A huge hit in England last spring and a shoe-in for instant cult-classic status, "Shaun of the Dead" is a hysterical dual-genre spoof about a 29-year-old London layabout who sees a zombie outbreak as his big chance to win back his peeved, reliability-seeking girlfriend by coming to her rescue -- a plan he manages to screw up in every conceivable way.
Writers Edgar Wright (who directs) and Simon Pegg (who plays the title character) have labeled their flick a "zom-rom-com" (zombie romantic comedy), and they delight in taking wickedly funny potshots at all the clichés that inspired them, beginning with the morning Shaun wakes up oblivious to a world full of flesh-starved ghouls.
Having managing to channel-surf past all the previous night's news reports of spreading undead hysteria (of course), he drags himself to a convenience store and back, in his own half-dead morning stupor, completely failing to notice his entire neighborhood is overrun with walking corpses. Eventually he catches on and sets out, with a cricket bat and his couch-potato roommate (amusingly slovenly Nick Frost), to round up his mum and his ex (Kate Ashfield) so they can fortify themselves inside -- where else? -- his favorite pub.
It's a terrible strategy (especially since he drags the chagrined girl and some friends out of a virtually impregnable high-rise apartment), but that's part of the joke. In fact, one of the movie's more round-about laughs comes as Shaun and his quickly-diminishing party continue to cross paths with a friend who is faring much better at leading her own group of survivors to safety.
An enjoyably low-budget endeavor given a sense of mock-slickness through zippy zooms and artsy editing, "Shawn of the Dead" is packed to the rafters with hilarious homages (George Romero and Sam Raimi films, a mocking reference to last year's "28 Days Later," goofs on John Woo movies, "Star Wars," "A Clockwork Orange" and more). But Wright and Pegg also get surprising mileage out of cheap, well-delivered one-liners ("Next time I see him, he's dead!") and slack-jawed double-takes from its gifted comedic stars -- many of whom honed their chemistry together on the hit Brit sci-fi satire "Spaced."
When scores of zombies inevitably encroach on the barricaded booze house, the movie's humor dips markedly as the bloody body-count rises, which is the one shortcoming that can't be easily shrugged off as part of the flick's cut-rate charm. But all will be forgiven with the ironic finale and an imaginative tongue-in-cheek epilogue that accompanies the closing credits.
In the days before quick turn-around from theatrical release to home video, "Shaun of the Dead" would surely become a staple of the midnight-movie circuit. But insomniac screenings or no, this movie is a guaranteed gut-buster for anyone even vaguely familiar with the fundamentals of zombiedom.
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